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The Origins of Monsters: Image and Cognition in the First Age of Mechanical Reproduction

David Wengrow

Reading began August 2026


The Origins of Monsters flyer

Design by Beth Fiedorek

composite (adj.)

"made up of distinct parts or elements," c. 1400, from Old French composite, from Latin compositus "placed together," past participle of componere "to put together, to collect a whole from several parts," from com "with, together" (see com-) + ponere "to place" (past participle positus; see position (n.)).

The noun, "something made up of two or more different parts or elements," is attested from late 14c. in reference to numbers. Composite number "number that can be measured exactly by a number more than one" is from 1730 (in Middle English, with French word-order, nombrys composyt, c. 1400). A composite photograph (1884) is one printed from more than one negative.


Since 2019, I have developed participatory exhibitions and programs that explore interdisciplinarity, fostering artistic and humanistic inquiry into science and technology. I am concerned with nurturing a healthy ecosystem of multitudes amid a socially fragmented and climate-stressed world. In the scope of selections for CRG reading "community," I look at the dynamics of heterogeneous life as brought about by globalization and urbanization. For example, how does the global phenomenon of migration evolve ideas of the individual and the collective? How can metaphors of ghosts, monsters, and chimeras help us survive ecological damage and urbanization? How do we teach and learn together within "multi-societies" (multi-lingual, class, species, etc.)? And what can ecological thinking reveal about how we might coexist within these worlds?

— Annie Zeng

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