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In the Break: The Aesthetics of the Black Radical Tradition

Fred Moten

Reading began May 2024


In the Break flyer

Design by CRG

fugitive (adj.)

late 14c., "fleeing, having fled, having taken flight," from Old French fugitif, fuitif "absent, missing," from Latin fugitivus "fleeing," past-participle adjective from stem of fugere "to flee, fly, take flight, run away; become a fugitive, leave the country, go into exile; pass quickly; vanish, disappear, perish; avoid, shun; escape the notice of, be unknown to," from PIE root *bheug- "to flee" (source also of Greek pheugein "to flee, escape, go into exile, be on the run," phyza "(wild) flight, panic," phyge "flight, exile;" Lithuanian būgstu, būgti "be frightened," bauginti "frighten someone," baugus "timid, nervous;" perhaps also Avestan būj(i)- "penance, atonement," būjat "frees"). Old English had flyma.
Meaning "lasting but a short time, fleeting" is from c. 1500. Hence its use in literature for short compositions written for passing occasions or purposes (1766).


The book I’m offering is based on the thread in CRG’s mission statement that connects the group's interest in the complications of community and the commonness, grounded in a reexamination of our received terms and lived experiences via close readings and discussions. Simply said, I am curious about how we live and make our way in the world—in this instance, I’m reflecting on how we recognize ourselves and one another across our adjacencies, how communities arise, teem with differentiations and reflexively iterate—like the ship Argo.

— Ian Meares

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